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‘It is not only fine feathers that make fine birds.’ Aesop.

Stories from my Sketchbook . . . 

birdsI have spoken before about the surfeit of birds in my garden.  On any normal day I see dozens of them—magpies, noisy miners, wrens, sparrows, and pigeons along with their more colourful brethren—rosellas, lorikeets, galahs, King parrots, and even the occasional cockatoo.  And those are just the ones that frequent my garden.  If you go down to the end of the street and on to the river, then you have all the water birds—the waterfowl, the pelicans and the gulls.  There is just no getting away from them.  (I wouldn’t recommend you settle here if you suffer from ornithophobia . . .)

So when I found out that my art homework this week was to do several studies of birds I thought ‘You beauty . . . ‘ as I knew there would at least be plenty of subjects to choose from.  I didn’t expect the actual assignment to be easy though.  I have never even attempted to draw birds from life before for the simple fact that they are so beautiful, and so complex, I was sure I would never be able to do them justice. (That and the fact that they move too fast, and, of course, if they know you are watching them they move around even faster, just for spite.)  But I was willing to give it a go, and went and filled up the bird-feeder as enticement and sat down to wait . . .  and wait . . .  and wait . . .

So much for expectations.  I should have known better.  The word had obviously gone out that Sally would be out and about, sketchpad in hand, and so the birds had all got together and decided it would be a bit of a hoot (no pun intended) to stay away in droves.  Sigh.  I spent most of the weekend hovering by the kitchen window, peering out at the birdfeeder, waiting in vain.

Late on Sunday afternoon, just as the light was fading, one of my little rosella friends finally showed some mercy and came and sat for me for a while.  He even had the grace to look a little apologetic . . .

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Eastern Rosella

 
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Posted by on August 30, 2016 in Uncategorized

 

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‘Blessed is the man, who having nothing to say, abstains from giving wordy evidence of the fact.’ George Eliot.

nothing to sayI have nothing to say this week.  How sad is that?  (Well, sad to me, possibly not to you . . . )  Seriously, I have been sitting here for almost a full week (although at the moment it seems much much longer) fingers poised over the keyboard, determined to start my next post and . . . nothing.  Nada.  Not a single idea.  (Well—not a single idea that I think anyone else might be interested in reading.  I have been tired and cranky all week but I didn’t really want to write tired and cranky things here—there is enough of that in the world already.)

So, rather than berate myself, I am just going to acknowledge the fact and give myself a break (you could probably use a rest from me anyway) but I thought it only polite to let you know that nothing would be forthcoming today—just is case you thought I was being rude and ignoring you all.  (You don’t really think I would do that . . . do you?)

I don’t even have any new ‘artistic insights’ to share with you (I haven’t done my art class homework this week either—sigh—head drops to chest) but, by way of compensation (although I am not sure that is the right word) here is a quick sketch I did last weekend, before the malaise descended.  I hope it will suffice until I can drag myself out of the mire.  (A slow weekend of chocolate, wine and cuddles with my girls will work wonders I am sure . . . )

See you all next week.  X

P.S.
‘Word Count’ has just informed me that it has now taken 289 words to tell you I have nothing to say.
George Eliot must be turning in her grave . . . 

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Posted by on August 26, 2016 in Uncategorized

 

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‘Sometimes it’s best to hide in plain sight.’ David Estes.

Stories from my Sketchbook . . .

How cool would be it—to be able to change colour to match your surrounding like the chameleon?  

I could be in the office, getting on with my day, answering the phones, working on the database, dealing with the paperwork . . . but nobody would know I was even there.  

I might even be able to get just one job finished . . . 

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Posted by on August 23, 2016 in Uncategorized

 

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‘Everyone has two eyes but no one has the same view.’ Wael Harakeh.

Stories from my Sketchbook . . .

mr magooLast week’s homework from my ‘Seeing’ art class was to highlight the differences in how we see, what we see—and also what we don’t see—when we look at something really quickly as opposed to looking deeply and intently at the same object.  It was a ‘quick, quick slow’ exercise.  

The idea was to pick a ‘fairly complex’ object and to do a quick one-minute rough sketch of it in whatever medium we chose (I chose watercolour, just because it seemed easiest.  HA!  Shows you how much I know.)  Once the initial sketch was completed we were then to slow right down and to spend the next half an hour, longer if preferred, to really look at the object and to add in the detail on top of the original sketch—correcting it as we went. Sounds easy enough doesn’t it?  Mmmmm.  

Well, first of all I don’t really do ‘one minute sketches’, in pencil, watercolour or any other medium. Nothing I have ever drawn in one minute has ever looked even vaguely akin to what I was attempting to copy.  And this was no different.  In hindsight I didn’t really think through attempting to sketch a green plant in a green pot and I guess I shouldn’t have been all that surprised that I ended up with a fuddled green blur and not much else.  

But that was okay.  I had the detail to add yet and detail is what I like, so this should be easy—right?  Not so much.  Turns out that I actually found it quite difficult to look past my original sketch and not just ‘follow the lines’ that I had originally set down.  (Anyone else out there always taught to colour within the lines?  It’s a hard habit to break.)  

It took a couple of false starts but I eventually started to get the hang of it, although, as usual, the hardest part was knowing when to stop.  (Even now I want to go back and work on it some more.  I don’t like the pot . . . I’m not happy with the pot . . . Step away from the pen Sally—step away . . . )

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Posted by on August 16, 2016 in Uncategorized

 

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‘I always like toast in a crisis.’ James Goss.

Stories from my Sketchbook . . .

toast2This week one of my art homework exercises from SketchBookSkool was to draw toast.  Seriously. Toast.  But not just any old quick sketch of toast.  This was an exercise in slowing down.   (The class I am doing at the moment is called ‘Seeing’.)   We were to really look at that toast. Take our time.  Draw ‘every fissure . . . every nook and cranny . . . every peak and valley’.   Mmmmm . . . .

It turned out to be an interesting, and difficult, exercise.  The first problem I encountered was that I discovered it was extraordinarily hard to focus on drawing toast when all I really wanted to do was eat it.  I don’t think I had noticed before just how mouthwateringly good raisin toast smells.  I wasn’t even hungry when I started the drawing, but by the time I was finished (and the toast was cold and hard and horrid) I was ravenous.  Sigh.

Toast-B&WAnd then, as I progressed, I found that as I drew more and more ‘nooks and crannies, valleys and peaks’ the drawing started to look less and less like toast and more and more like random scribbles on a page (see right).  The teacher’s example of their black and white drawing was entirely recognisable as toast—mine less so.   (Although I admit, It looked a little more like toast when I added colour, and a lot more like toast after I added the lettering . . . )

Nevertheless, in spite of the result, I think I am going to try this approach again.  I really enjoyed the focus that it demanded—to really looking ‘inside’ what I was drawing.  I liked getting lost in the process.

Although perhaps next time I will try drawing something other than food.  I found looking up from the drawing and having my gaze drawn relentlessly to the three tiny little black noses stretched up and sniffing along the edge of the table really screwed with my concentration . . .

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 P.S.  The ‘toast in a crisis’ quote struck me as quite apt as the  SBS server crashed over the weekend and they have been madly scrambling doing upgrades and fixes trying to get it up and running again.

 
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Posted by on August 9, 2016 in Uncategorized

 

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‘A drawing is simply a line going for a walk.’ Paul Klee.

Stories from my Sketchbook . . .

sunshineWe’ve just had the most stunning winter weekend.  The sun shone, the skies were a cloudless blue and the temperature went up to about 23 degrees (73F) both days.  I had all the doors and windows open hoping to lure some of the warmer air into the house.  (It’s freezing in the house—long sleeves and woolly socks inside, short sleeves and no socks outside.  Crazy.) The girls and I went for a long walks in the sunshine both morning and evening and it really felt like Spring was on the way.

(It isn’t of course—not quite yet.  The weather bureau tells us that we are expecting rain later today and the temperature is also set to drop 10 degrees, so this was just a short burst of winter warmth trying to lull us into a false sense of security. )

CafeThe weather was so nice I decided to take myself out of doors to do some sketching. This is not something I am entirely (or even at all) comfortable with.  I think I have said before that although I don’t mind walking in it (the outdoors I mean)—in fact I quite like it—my ideal outdoor experience is preferably an alfresco coffee shop, under an umbrella, in the shade, with a ‘Plan B’ to go inside if it gets too hot . . . or too cold . . . or there are too many flies . . .

watching-youI am also not at all comfortable with people watching me draw—even if they are not really watching me at all (which in truth they rarely are—it just feels like they are).  When I see fabulous drawings from artists who have sketched inside coffee shops or concert halls or at public events I always think how great it would be to do the same, but I just haven’t been able to work myself up to it.  (Yet.)  I need to get over myself.

So I decided I would start small, and packed up my sketchbook and a couple of pens and pencils and went in search of something to sketch.  I found myself a quiet corner of the local park where no one could see me (which was a feat in itself as there were people everywhere) and did a couple of quick sketches of some of the plant life I found lying around. I know I could just as easily have taken these bits and pieces home with me to draw, but I didn’t (one small step for man, or at least Sally . . . ) so it was definitely a ‘step’ in the right direction and I eventually came home quite puffed up and pleased with myself at my little outing.

And then I walked in the front door to be confronted my three cranky little dogs who did not care one whit that I had just had a bit of a sketching breakthrough but were very keen to let me know that going to the park without them was really not something they were willing to tolerate on a regular basis.  Sigh.

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Posted by on August 2, 2016 in Uncategorized

 

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‘It is easily overlooked that what is now called vintage was once brand new.’ Tony Visconti.

Stories from my Sketchbook . . . 

One of our homework assignments from Sketchbook Skool this term was to do some research on vintage photos as inspiration for our own sketches and artworks.  It was a really fun assignment, and that was before I even put pen to paper.  I spent hours trawling sites filled with fabulous old photos of people, places, clothes, shoes, machinery, dogs (of course), furniture, advertisements—you name it, it was out there.  It was absolutely fascinating.  What was also really interesting was that everyone who did the assignment chose such wildly differing topics to copy.  There were none two even nearly the same.  (I especially liked the sketches someone did from old gangster mugshots—they were hilarious.)

I am not really sure why I decided to copy a photo of this old truck.  I have very little interest in cars, or trucks, or anything mechanical for that matter, but I just liked the look of this old truck.  It looked like it came right off an old movie set, although its real history was probably very different.

And it reminded me too of the lyrics of an old Tom. T. Hall song—at least the lyrics of the only verse that I ever seem to remember . . .

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Posted by on July 26, 2016 in Uncategorized

 

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‘There are no mistakes. Just happy accidents.’ Bob Ross.

Stories from my Sketchbook . . .

I’ve been practicing perspective again—what I see is definitely not what I get on paper.  (Or perhaps it is. Perhaps it is my eyesight that is off?)  Anyway, I liked the quintessential ‘English-ness’ of the photo below, so decided to copy it.

rippingIt turned out to be quite a challenge—but not because of the perspective (I’ll keep practicing.)  The challenge came because I seriously stuffed-up the water-colour version of the window-box flowers—and it all turned into a horrible muddy mess.  Sigh. Watercolour is hard.  Bearing in mind that I had promised myself that I would no longer rip pages willy-nilly out of my sketchbook whenever I got the huff with whatever I was working on, I decided to play around in my ‘toy box’ of artist materials to see if I could remedy the situation.

Gesso is my now new best friend.  I had a large pot of it in a drawer (which had never been opened and had probably been there for years) and as I really had no idea how to use it, I just started experimenting.  The picture was stuffed anyway—what harm could it do?  I discovered (after a couple of less-than-stellar attempts) that using the gesso allowed me to literally ‘paint over’ my muddy mess, and if I added colour to it as well I not only got great texture but also an end result that kinda-sorta resembled a mass of flowers.  Who’da thunk?

(I also discovered that one of the drawbacks of using gesso in a sketchbook was that these two pages stuck together every time I shut my sketchbook for the next two weeks—but we seem to have got past that small hindrance now, so it’s all good.)

All hail the ‘happy accident’.  Thank you Bob Ross.  🙂

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Posted by on July 19, 2016 in Uncategorized

 

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‘It’s pointless to have a nice clean desk, because it means you’re not doing anything.’ Michio Kaku.

Stories from my Sketchbook . . .

That might be easy for Michio Kaku to say, but I can quite easily manage to have a lot of stuff on my desk (at home at least) and still not actually be doing much.

I’ve been thinking some more about what I wrote in my last post.  Do you think ‘art stuff’ could be classed as just ‘one thing’?

Because if I have to count every single pen, pencil, paintbrush, ink bottle, rubber stampe, eraserI’m screwed . . . .

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Posted by on July 12, 2016 in Uncategorized

 

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‘Vegetables are a must on a diet. I suggest carrot cake, zucchini bread, and pumpkin pie.’ Jim Davis.

Stories from my Sketchbook . . . 

I thought I might try to atone for the sugar-salt-fat laden excesses outlined in my last post and throw some love out there to the humble vegetable.

Jim Davis’ suggestions seem like a sensible place to start . . .

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Posted by on July 5, 2016 in Uncategorized

 

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